Skip to content. | Skip to navigation

Personal tools
You are here: Home Program #60 Passive admittance matrix modeling for guitar synthesis

#60 Passive admittance matrix modeling for guitar synthesis

Balázs Bank, Matti Karjalainen

In physics-based sound synthesis, it is generally possible to incorporate a mechanical or acoustical immitance (admittance or impedance) in the form of a digital filter. Examples include modeling of the termination of a string or a tube. However, when digital filters are fitted to measured immitance data, care has to be taken that the resulting filter corresponds to a passive mechanical or acoustical system, otherwise the stability of the instrument model is at risk. In previous work, we have presented a simple method for designing and realizing inherently passive scalar admittances, by composing the admittance as a linear combination of positive real (PR) functions with nonnegative weights. In this paper the method is extended to multidimensional admittances (admittance matrices). The admittance matrix is synthesized as a sum of PR scalar transfer functions (second-order filters) multiplied by positive semidefinite matrices. For wave-based modeling, such as digital waveguides (DWGs) or wave digital filters (WDFs), the admittance matrix is converted to a reflectance filter. The filter structure is retained during conversion, resulting in a numerically robust implementation. As an example, a dual-polarization guitar string model based on the DWG approach is connected to the reflectance model, parameterized from guitar bridge admittance measurements.
Document Actions