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• Proceedings
• Pictures
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• Concert
  • Natasha Barrett
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  • Gerriet K. Sharma and Franz Zotter
  • David Pirrò
• Program
  • #2 An Enhanced Modulation Vocoder for Selective Transposition of Pitch
  • #5 Improving RTISI Phase Estimation with Energy Order and Phase Unwrapping
  • #7 Discretization of Parametric Analog Circuits for Real-Time Simulations
  • #8 Singing Voice Separation Based on Non-Vocal Independent Component Subtraction and Amplitude Discrimination
  • #9 Time-Dependent Parametric and Harmonic Templates in Non-Negative Matrix Factorization
  • #10 String Instrument Body Modeling Using FIR Filter Design and Autoregressive Parameter Estimation
  • #11 A Database of Partial Tracks for Evaluation of Sinusoidal Models
  • #12 Real-Time Guitar Tube Amplifier Simulation using an Approximation of Differential Equations
  • #14 Acoustic Modelling of a Convex Pipe Adapted for Digital Waveguide Simulation
  • #15 Harmonic/Percussive Separation using Median Filtering
  • #18 Automatic Detection of Multiple, Cascaded Audio Effects in Guitar Recordings
  • #19 MultiBin: A Binaural Audition Tool
  • #20 Simulating Idiomatic Playing Styles in a Classical Guitar Synthesizer: Rasgueado as a Case Study
  • #21 Structurally Passive Scattering Element for Modelling Guitar Pluck Action
  • #22 Singing Voice Resynthesis Using Vocal Sound Libraries
  • #23 Chebyshev Model and Synchronized Swept Sine Method in Nonlinear Audio Effect Modeling
  • #24 Fast Signal Reconstruction from Magnitude STFT Spectrogram Based on Spectrogram Consistency
  • #27 Comparison of SRP-PHAT and Multiband-PoPi Algorithms for Speaker Localization Using Particle Filters
  • #28 GPU-Based Spectral Model Synthesis for Real-Time Sound Rendering
  • #29 Self-Organised Sounds with a Tremolo Oscillator
  • #31 Fusing Block-level Features for Music Similarity Estimation
  • #32 On the Use of Sums of Sines in the Design of Signal Windows
  • #33 Methods for Separation of Amplitude and Frequency Modulation in Fourier Transformed Signals
  • #34 On Minimizing the Look-Up Table Size in Quasi-Bandlimited Classical Waveform Oscillators
  • #35 Spatial Audio Object Coding with Enhanced Audio Object Separation
  • #37 Bibliometric Study of the DAFx Proceedings 1998 - 2009
  • #39 Virtual Auditory Myography of Timpani-playing Avatars
  • #42 Practical Modeling of Bucket-Brigade Device Circuits
  • #43 Real-Time 3D Finite-Difference Time-Domain Simulation of Low- and Mid-Frequency Room Acoustics
  • #45 Real-Time Simulation of a Guitar Power Amplifier
  • #46 MOSPALOSEP: A Platform for the Binaural Localization and Separation of Spatial Sounds using Models of Interaural Cues and Mixture Models
  • #47 Automatic Segmentation of the Temporal Evolution of Isolated Acoustic Musical Instruments Sounds Using Spectro-Temporal Cues
  • #48 Investigation of Factors Influencing Acoutsic Characteristics in Geometric Acoustics Based Auralization
  • #49 Energy Based Synthesis of Tension Modulation in Membranes
  • #50 Physically Based Sound Synthesis and Control of Footsteps Sounds
  • #51 A Segmental Spectro-Temporal Model of Musical Timbre
  • #53 Exploring Phase Information in Sound Source Separation Applications
  • #54 Fan Chirp Transformation for Music Representation
  • #55 Harmonize-Decompose Audio Signals with Global Amplitude and Frequency Modulations
  • #56 The Restoration of Single Channel Audio Recordings Based on Non-Negative Matrix Factorization and Perceptual Suppression Rule
  • #57 Mechanical Sound Synthesis: And the New Application of Force-Feedback Teleoperation of Acoustic Musical Instruments
  • #59 The DESAM Toolbox: Spectral Analysis of Musical Audio
  • #60 Passive admittance matrix modeling for guitar synthesis
  • #61 Polyphonic Instrument Recognition for Exploring Semantic Similarities in Music
  • #62 Physics-Based and Spike-Guided Tools for Sound Design
  • #63 Spatial Sound Synthesis for Circular Membranes
  • #65 Digital Emulation of Distortion Effects by Wave and Phase Shaping Methods
  • #68 A High-Level Audio Feature for Music Retrieval and Sorting
  • #69 A Model of Partial Tracks for Tension-Modulated Steel-String Guitar Tones
  • #70 A Reduced Multiple Gabor Frame for Local Time Adaptation of the Spectrogram
  • #71 SpeakBySinging: Converting Singing Voices to Speaking Voices While Retaining Voice Timbre
  • #72 A Real-Time System for Multiple Acoustic Sources Localization Based on ISP Comparison
  • #73 Template-Based Estimation of Tempo: Using Unsupervised or Supervised Learning to Create Better Spectral Templates
  • #74 Augmenting Sound Mosaicing with Descriptor-Driven Transformation
  • #75 Frequency, Phase and Amplitude Estimation of Overlapping Partials in Monaural Musical Signals
  • #76 High-Performance Real-Time FIR-Filtering Using Fast Convolution on Graphics Hardware
  • #77 Digital Simulation of “Brassiness” and Amplitude-Dependent Propagation Speed in Wind Instruments
  • #78 The Jamoma Audio Graph Layer
  • #79 Adjusting the Spectral Envelope Evolution of Transposed Sounds with Gabor Mask Prototypes
  • #80 Modeling Methods for the Highly Dispersive Slinky Spring: A Novel Musical Toy
  • #81 Statistical Spectral Envelope Transformation applied to Emotional Speech
  • #82 Do You Hear a Bump or a Hole? An Experiment on Temporal Aspects in Footsteps Recognition
  • #83 A Method of Generic Programming for High Performance DSP
  • #84 A Shape-Invariant Phase Vocoder for Speech Transformation
  • #87 Estimation and Modeling of Pinna-Related Transfer Functions
  • #88 Approximating Measured Reverberation Using A Hybrid Fixed/Switched Convolution Structure
  • #89 Breaking the Bounds: Introducing Informed Spectral Analysis
  • #91 A Source-Filter Model for Quasi-Harmonic Instruments
  • #92 More Modal Fun - “Forced Vibration” at One Point
  • #93 Physical Modeling of the Harpsichord Plectrum-String Interaction
  • #94 Discrete Wavelet Transform based Shift-Invariant Analysis Scheme for Transient Sound Signals
  • #95 Drum Music Transcription Using Prior Subspace Analysis and Pattern Recognition
  • #96 Music Structure Discovery Based on Normalized Cross Correlation
  • #97 Virtual Acoustic Recording: An Interactive Approach
  • #98 Towards a Fuzzy Logic Approach to Drum Pattern Humanisation
  • #100 Independent Manipulation of High-Level Spectral Envelope Shape Features for Sound Morphing by Means of Evolutionary Computation
  • #101 Frequency Shifting For Howling Suppression
  • #102 Comparison of Pitch Trackers for Real-Time Guitar Effects
  • #104 Analysis / Synthesis of Rolling Sounds Using a Source Filter Approach
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