| Keynote1 |
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| Thomas Hermann |
Sonic Interaction Design: New Applications and Challenges for Interactive Sonification (Paper, Slides)
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| Session 1: Physical Models and Virtual Musical Instruments 1 |
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| Balázs Bank, Matti Karjalainen |
Passive Admittance Matrix Modeling for Guitar Synthesis |
| Gianpaolo Evangelista, Julius O. Smith III |
Structurally Passive Scattering Element for Modelling Guitar Pluck Action
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| Friedrich v. Türckheim, Thorsten Smit, Robert Mores |
String Instrument Body Modeling Using FIR Filter Design and Autoregressive Parameter Estimation |
| Poster Session 1 |
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| Henrik Hahn, Axel Röbel, Juan Jose Burred, Stefan Weinzierl |
Source-Filter Model for Quasi-Harmonic Instruments |
| Ivan Cohen, Thomas Helie |
Real-Time Simulation of a Guitar Power Amplifier |
| Session 2: Virtual Analog Models |
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| Jaromir Macak, Jiri Schimmel |
Real-Time Guitar Tube Amplifier Simulation using an Approximation of Differential Equations |
| Kristjan Dempwolf, Martin Holters, Udo Zölzer |
Discretization of Parametric Analog Circuits for Real-Time Simulations |
| Colin Raffel, Julius Smith |
Practical Modeling of Bucket-Brigade Device Circuits |
| Jussi Pekonen, Juhan Nam, Jonathan S. Abel, Julius O. Smith, Vesa Välimäki |
On Minimizing the Look-Up Table Size in Quasi-Bandlimited Classical Waveform Oscillators |
| Poster Session 2 |
|---|
| Vesa Norilo, Mikael Laurson |
A Method of Generic Programming for High Performance DSP |
| Timothy Place, Trond Lossius, Nils Peters |
The Jamoma Audio Graph Layer |
| Lauri Savioja |
Real-Time 3D Finite-Difference Time-Domain Simulation of Low- and Mid-Frequency Room Acoustics |
| Victor Lazzarini, Brian Carty |
MultiBin: A Binaural Audition Tool |
| Session 3: Physical Models and Virtual Musical Instruments 2 |
|---|
| Charles Cooper, Jonathan Abel |
Digital Simulation of "Brassiness" and Amplitude-Dependent Propagation Speed in Wind Instruments |
| Rémi Mignot, Thomas Hélie, Denis Matignon |
Acoustic Modelling of a Convex Pipe Adapted for Digital Waveguide Simulation |
| Riccardo Marogna, Federico Avanzini, Balazs Bank |
Energy Based Synthesis of Tension Modulation in Membranes |
| Rudolf Rabenstein |
Spatial Sound Synthesis for Circular Membranes |
| Poster Session 3 |
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| Matthias Rath, Stefan Bilbao |
More Modal Fun - "Forced Vibration" at One Point |
| Julian Parker, Henri Penttinen, Stefan Bilbao, Jonathan Abel |
Modeling Methods for the Highly Dispersive Slinky Spring: A Novel Musical Toy |
| Chao-yu Jack Perng, Julius Smith, Thomas Rossing |
Physical Modeling of the Harpsichord Plectrum-String Interaction of Acoustic Musical Instruments |
| Edgar Berdahl, Julius Smith III, Gunter Niemeyer |
Mechanical Sound Synthesis: And the New Application of Force-Feedback Teleoperation |
| Session 4: Physical Models and Virtual Musical Instruments 3 |
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| Florian Grond, Alexandre Bouenard, Thomas Hermann, Marcelo M. Wanderley |
Virtual Auditory Myography of Timpani-playing Avatars |
| Shimpei Aso, Takeshi Saitou, Masataka Goto, Katsutoshi Itoyama, Toru Takahashi, Kazunori Komatani,Tetsuya Ogata, Hiroshi Okuno |
SpeakBySinging: Converting Singing Voices to Speaking Voices While Retaining Voice Timbre |
| Keynote 2 |
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| Brigitte Schulte-Fortkamp |
Soundscape and Sound Design - Tuning the New Ecology using the Expertise of People's Mind |
| Session 5: Sound Design |
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| Kamil Adiloglu, Carlo Drioli, Pietro Polotti, Davide Rocchesso, Stefano delle Monache |
Physics-Based and Spike-Guided Tools for Sound Design |
| Luca Turchet, Stefania Serafin, Smilen Dimitrov, Rolf Nordahl |
Physically Based Sound Synthesis and Control of Footsteps Sounds |
| Stefania Serafin, Luca Turchet, Rolf Nordahl |
Do You Hear a Bump or a Hole? An Experiment on Temporal Aspects in Footsteps Recognition |
| Poster Session 4 |
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| Edgar Berdahl, Dan Harris |
Frequency Shifting For Howling Suppression |
| Aglaia Foteinou, Damian Murphy, Anthony Masinton |
Investigation of Factors Influencing Acoustic Characteristics in Geometric Acoustics Based Auralization |
| Session 6: Computational Audio Scene Analysis |
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| Joan Mouba |
MOSPALOSEP: A Platform for the Binaural Localization and Separation of Spatial Sounds using Models of Interaural Cues and Mixture Models |
| Estefania Cano, Gerald Schuller, Christian Dittmar |
Exploring Phase Information in Sound Source Separation Applications |
| Tania Habib, Harald Romsdorfer |
Comparison of SRP-PHAT and Multiband-PoPi Algorithms for Speaker Localization Using Particle Filters |
| Daniele Salvati, Antonio Roda, Sergio Canazza, Gian Luca Foresti |
A Real-Time System for Multiple Acoustic Sources Localization Based on ISP Comparison |
| Poster Session 5 |
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| Geoffroy Peeters |
Template-Based Estimation of Tempo: Using Unsupervised or Supervised Learning to Create Better Spectral Templates |
| Tim Pohle, Peter Knees, Klaus Seyerlehner, Gerhard Widmer |
A High-Level Audio Feature for Music Retrieval and Sorting |
| Derry FitzGerald |
Harmonic/Percussive Separation using Median Filtering and Amplitude Discrimination |
| Stratis Sofianos, Aladdin Ariyaeeinia, Richard Polfreman |
Singing Voice Separation Based on Non-Vocal Independent Component Subtraction |
| Session 7:Audio Information Retrieval & Feature Extraction 1 |
|---|
| Klaus Seyerlehner, Gerhard Widmer, Tim Pohle |
Fusing Block-level Features for Music Similarity Estimation |
| Andrio Spich, Massimiliano Zanoni, Augusto Sarti, Stefano Tubaro |
Drum Music Transcription Using Prior Subspace Analysis and Pattern Recognition |
| Marcelo Caetano, Juan José Burred, Xavier Rodet |
Automatic Segmentation of the Temporal Evolution of Isolated Acoustic Musical Instruments Sounds Using Spectro-Temporal Cues |
| Romain Hennequin, Roland Badeau, Bertrand David |
Time-Dependent Parametric and Harmonic Templates in Non-Negative Matrix Factorization |
| Poster Session 6 |
|---|
| Mathieu Lagrange, Roland Badeau, Olivier Derrien, Sylvain Marchand, Laurent Daudet, Bertrand David, Nancy Bertin, Jose Echeveste |
The DESAM Toolbox: Spectral Analysis of Musical Audio |
| Michael Stein |
Automatic Detection of Multiple, Cascaded Audio Effects in Guitar Recordings |
| Adrian von dem Knesebeck, Udo Zölzer |
Comparison of Pitch Trackers for Real-Time Guitar Effects |
| Keun Sup Lee, Nicholas J. Bryan, Jonathan S. Abel |
Approximating Measured Reverberation Using A Hybrid Fixed/Switched Convolution Structure |
| Session 8: Audio Information Retrieval and Feature Extraction 2 |
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| Juan José Burred, Axel Röbel |
A Segmental Spectro-Temporal Model of Musical Timbre |
| Ferdinand Fuhrmann, Perfecto Herrera |
Polyphonic Instrument Recognition for Exploring Semantic Similarities in Music |
| Keynote 3 |
|---|
| Axel Röbel |
Between Physics and Perception: Signal Models for High Level Audio Processing (Paper, Slides) |
| Session 9: Time Frequency and Spectral Processing 1 |
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| Axel Röbel |
A Shape-Invariant Phase Vocoder for Speech Transformation |
| Sascha Disch, Bernd Edler |
An Enhanced Modulation Vocoder for Selective Transposition of Pitch by Means of Evolutionary Computation |
| Marcelo Caetano, Xavier Rodet |
Independent Manipulation of High-Level Spectral Envelope Shape Features for Sound Morphing |
| Poster Session 7 |
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| Nuno Fonseca, Anibal Ferreira |
Singing Voice Resynthesis Using Vocal Sound Libraries |
| Mikael Laurson, Vesa Välimäki, Henri Penttinen |
Simulating Idiomatic Playing Styles in a Classical Guitar Synthesizer: Rasgueado as a Case Study |
| Session 10: Spectral Analysis and Transforms |
|---|
| Pablo Cancela, Ernesto López, Martín Rocamora |
Fan Chirp Transformation for Music Representation |
| Marco Liuni, Axel Röbel, Marco Romito, Xavier Rodet |
A Reduced Multiple Gabor Frame for Local Time Adaptation of the Spectrogram |
| Adrien Sirdey, Olivier Derrien, Richard Kronland-Martinet |
Adjusting the Spectral Envelope Evolution of Transposed Sounds with Gabor Mask Prototypes |
| Marco Fabiani |
Frequency, Phase and Amplitude Estimation of Overlapping Partials in Monaural Musical Signals |
| Poster Session 8 |
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| Sylvain Marchand, Dominique Fourer |
Breaking the Bounds: Introducing Informed Spectral Analysis |
| Volker Gnann, Martin Spiertz |
Improving RTISI Phase Estimation with Energy Order and Phase Unwrapping |
| Christian R. Helmrich |
On the Use of Sums of Sines in the Design of Signal Windows |
| Mahdi Triki |
Harmonize-Decompose Audio Signals with Global Amplitude and Frequency Modulations |
| Session 11: Time Frequency and Spectral Processing 2 |
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| Matthieu Hodgkinson, Joseph Timoney, Victor Lazzarini |
A Model of Partial Tracks for Tension-Modulated Steel-String Guitar Tones |
| Jeremy Wells |
Methods for Separation of Amplitude and Frequency Modulation in Fourier Transformed Signals |
| Jonathan Le Roux, Hirokazu Kameoka, Nobutaka Ono, Shigeki Sagayama |
Fast Signal Reconstruction from Magnitude STFT Spectrogram Based on Spectrogram Consistency |
| Frank Wefers, Jan Berg |
High-Performance Real-Time FIR-Filtering Using Fast Convolution on Graphics Hardware |
| Poster Session 9 |
|---|
| Risto Holopainen |
Self-Organised Sounds with a Tremolo Oscillator |
| Joseph Timoney, Victor Lazzarini, Anthony Gibney, Jussi Pekonen |
Digital Emulation of Distortion Effects by Wave and Phase Shaping Methods |
| Antonin Novak, Laurent Simon, Pierrick Lotton, Joel Gilbert |
Chebyshev Model and Synchronized Swept Sine Method in Nonlinear Audio Effect Modeling |
| Brahim Hamadicharef |
Bibliometric Study of the DAFx Proceedings 1998 - 2009 |
| Session 12: Spatial Audio |
|---|
| Michele Geronazzo, Simone Spagnol, Federico Avanzini |
Estimation and Modeling of Pinna-Related Transfer Functions |
| Cornelia Falch |
Spatial Audio Object Coding with Enhanced Audio Object Separation |
| Young Researchers and Student Forum |
|---|
| Leonardo O. Nunes, Paulo A. A. Esquef, Luiz W. P. Biscainho |
A Database of Partial Tracks for Evaluation of Sinusoidal Models |
| Wasim Ahmad, Huseyin Hacihabiboglu, Ahmet Kondoz |
Discrete Wavelet Transform based Shift-Invariant Analysis Scheme for Transient Sound Signals |
| Giuseppe Cabras, Sergio Canazza, Pier Luca Montessoro, Roberto Rinaldo |
The Restoration of Single Channel Audio Recordings Based on Non-Negative Matrix Factorization and Perceptual Suppression Rule |
| Liam O Sullivan, Frank Boland |
Towards a Fuzzy Logic Approach to Drum Pattern Humanisation |
| Pei-Yin Tsai, Tien-Ming Wang, Alvin Su |
GPU-Based Spectral Model Synthesis for Real-Time Sound Rendering |
| Marcin Gorzel, Gavin Kearney, Francis Boland, Henry Rice |
Virtual Acoustic Recording: An Interactive Approach |
| Fabio Tesser, Enrico Zovato, Piero Cosi |
Statistical Spectral Envelope Transformation applied to Emotional Speech |
| Jung Suk Lee, Philippe Depalle, Gary Scavone |
Analysis / Synthesis of Rolling Sounds Using a Source Filter Approach |
| Alexander Wankhammer, I. Vaughan L. Clarkson, Andrew P. Bradley |
Music Structure Discovery Based on Normalized Cross Correlation |
| Graham Coleman, Esteban Maestre, Jordi Bonada |
Augmenting Sound Mosaicing with Descriptor-Driven Transformation |
| Tutorials |
|---|
| Franz Zotter, Hannes Pomberger |
Spherical Arrays for Sound Radiation Analysis and Synthesis (Slides) |
| Ramani Duraiswami |
Capturing and Recreating Audio Scenes (Slides) - not available yet
|
| Bernhard Laback |
Auditory Modeling and Subjective Evaluation (Slides)
|
| Piotr Majdak |
Spatial Hearing in a Free Field (Slides) |
